The story bends over backward to the point of near-incomprehensibility, but if that’s the price for all these fun cameos, I’ll take it. And there are certainly plenty—some from deep in the past, a few showing their age, but still a blast to see. It does make me wonder who else was approached and turned it down.
Dialogue for Reynolds is as sharp as ever, and I appreciate that it’s only he who breaks the fourth wall. That feels like a deliberate choice, and it keeps the film from slipping into absurdity. But it’s Jackman who steals the show, stepping back into Wolverine’s boots with all the fanfare and delivering a strong performance. Props to him for getting back into top shape. Laura’s return is a nice surprise, but I wish there had been one more bonding moment between her and Logan—a hug, a word of acceptance, something to acknowledge their connection across all the conflicting timelines. Newcomer Emma Corrin is fantastic as Cassandra, balancing an odd cuteness with crazy eyes somehow reminiscent of Brad Dourif, an insect-like physicality, and a serious take on the material to become a compelling villain.
Some good laughs, especially when Reynolds is acting with himself. Delivers all the action you’d expect. The fight in the car is especially good.
I was frustrated with Reynolds’ smugness and shit-eating grin in the first Deadpool films, and I had nearly given up early on the franchise. But this one was pretty good. Now I’m curious to see where Reynolds takes this next.
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